1/6/2024 0 Comments Voice over jobs houstonPart of it looks like it was done on a computer from 2005. The special effects used to bring these changes to life are intentionally hokey, much like The Meep in the last episode. One minute, they’re perfect copies, and the next they’re the size of a small house with bulging eyes and twisted limbs. The no-things (their word) try hard to manifest human shape, but keep messing it up. Where it excels is in turning those inspirations into a proper Doctor Who adventure. “Wild Blue Yonder” pulls from a lot of classic science fiction films such as Event Horizon, Alien, and The Thing. Once you realize that the threat is right there in front of The Doctor and Donna, it’s too late for them to run. I just thought the editing was bad, but the whole thing was a feint to keep the viewer from seeing what was coming. When the monsters make an appearance, it seems like more dismal writing. Having veteran horror director Tom Kinglsey aboard really paid off here. I was ready to declare the adventure a dud until it shifted into horror so subtly that I didn’t even notice. Tate and Tennant, normally one of the tighter duos in Who history, seem almost to be limply improvising a bad comedy bit. The first 15 minutes of the episode are downright dull, save for some incredible set design for the ship and the inherent eeriness of the haunted house-like setting. The Tardis disappears and leaves the two trying to figure out what happened. “Wild Blue Yonder” is a classic adventure that calls to mind Tom Baker’s “The Ark in Space” and, to a lesser extent, David Tennant’s own “The Girl in the Fireplace.” The Doctor and Donna (Catherine Tate) land on an abandoned spaceship literally on the edge of the known universe. A willingness to be 100 percent ridiculous has defined this era of Doctor Who, and the show is far better for it.
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